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Mario D'Onofrio

Mario D'Onofrio

Mario D'Onofrio (Minturno, 21 February 1943 - Rome, 1 June 2025) graduated in Literature in 1969 from the University of Rome “La Sapienza” with Géza de Francovich, discussing a thesis entitled The Cathedral of Old Caserta. In the same year, he enrolled in the School of Advanced Studies in Art History at the same university and graduated.
In 1973, he was awarded a two-year scholarship at the University of Bonn, financed by the Alexander von Humboldt Foundation, which enabled him to begin his research on Carolingian art, the results of which would also be included in the monograph Rome and Aachen (1983).
In 1974, at the then Institute of Art History at the Sapienza University of Rome, he began his long academic career, first as a full assistant to the chair of Medieval Art History.
The beginnings of his scientific activity are marked by the publication of important essays and monographs: The churches of Dvin (1973), the result of the project on Armenian architecture directed by Géza de Francovich and financed by the CNR, The Cathedral of Old Caserta (1974) and the volume Campania (1981), co-signed with Valentino Pace for the series Romanesque Italy.
In 1984 he was appointed associate professor, in 2000 extraordinary professor and then full professor of Medieval Art History at the Department of Art History of the Faculty of Humanities at La Sapienza University, where he served as Director between 2002 and 2008.
At the same time, from the early 1990s until 2008, he also collaborated actively with the Suor Orsola Benincasa University in Naples, where he taught History of Medieval Art of European Countries and then History of Medieval Art.
During these fruitful decades, southern Italy remained at the centre of his scientific interests, directed in particular to the study of the abbey of Montecassino and Romanesque cathedrals, to which he reserved numerous fundamental essays. From these premises, in the context of the European Centre for Norman Studies, of which he was one of the founding members (1991), he developed the idea for the exhibition The Normans. People of Europe: 1030-1200, held in Rome in 1994.
Like the studies on the South, a constant in his scholarly production is the Roman Middle Ages, as shown by the works dedicated to the figure of Pope Nicholas III and the Lateran Patriarchate, the exhibition organised on the occasion of the Jubilee of 2000 Romei and Jubilees. The Medieval Pilgrimage to St. Peter's (350-1350), volumes the Reworking Antiquity in the Middle Ages (2003) e The artistic patronage of the popes in Rome in the Middle Ages (2016), edited by him.
The year 2000 opens with the exhibition The Wings of God. Messengers and Winged Warriors between East and West, curated together with Marco Bussagli and held at the Castello Svevo in Bari. This marked the start of an intense season of conferences of an international nature, starting with the one dedicated to Sculpture of the Norman Age between England and the Holy Land. Historiographical issues (2001). In 2006, he promoted the international conference Adolfo Venturi and Art History Today, organised as part of the celebrations of the 150th anniversary of the scholar's birth.
During this period he devoted himself to writing the monograph Spring and nobility. The figure of May in the Middle Ages (2005), a prelude to other studies dedicated to iconographic themes, including Giotto and the wedding procession at the Scrovegni (2009) e The camera picta murals in the Caetani Palace in Fondi (2016).
In 2013, after training generations of students and art historians, his academic activity came to an end. The scientific one continues unceasingly and fruitfully, as confirmed by the international conferences promoted and organised together with Manuela Gianandrea: Funds in the Middle Ages (2013) e Medieval Gaeta and its Cathedral (2016).
For his high scientific and cultural merits, he was awarded the title of Officier of the Ordre du Mérite Culturel of the Principality of Monaco, received the Capo Circeo European Prize and the Gold Medal International Prize of the Maison des Artistes.

SCIENTIFIC ACTIVITY

His scientific activity was mainly oriented towards the following research areas:

A. ROMANESQUE IN SOUTHERN ITALY AND NORMAN EUROPE

After the dissertation on The Cathedral of Old Caserta, published with an introduction by Mario Salmi, immediately broadened its study interests to medieval Campania, first by researching individual buildings from the 11th-13th centuries, then by framing the regional Romanesque in the synthesis work Campania, co-authored by V. Pace. Then the study was extended to the whole of Southern Italy, culminating in further essays on significant buildings (from the abbey of Montecassino to the cathedral of Salerno, from the cathedral of Anglona to the so-called Tomb of Rotari in Montesantangelo, from the cathedral of Aversa to the unfinished Venosa). It is in this direction that the investigation into the artistic production of the Norman period has matured, which has been included in the catalogue of the exhibition The Normans people of Europe, and in a comparative essay between the art of southern Italy and that of the Anglo-Norman regions.

B. ARMENIAN ARCHITECTURE
At the same time, he turned his attention to Armenian medieval architecture, having been called to join a C.N.R. research group headed by Géza De Francovich in 1971. After several study missions in the territory of historical Armenia, he published a volume on the churches of the ancient capital, Dvin, and two essays on the residential palaces of the 5th-6th centuries.

C. CAROLINGIAN ART
In the following years, facilitated in his research in Germany by the Alexander von Humboldt Foundation in Bonn, he devoted himself to Carolingian art, whose relations with the models of late antique and early Christian Rome he highlighted through an interdisciplinary method in the volume Rome and Aachen.

D. ART AND PILGRIMAGE
Art and the phenomenon of pilgrimage suggested a further line of research to him. His contributions in this area, including the exhibition catalogue Romei and Jubilees. The medieval pilgrimage to the tomb of St Peter, 350-1350, They investigated the main shrines of Christian Europe and the events connected to them, grasping their common artistic, religious and historical-cultural aspects in general.

E. MEDIEVAL ART IN ROME AND THE PATRONAGE OF THE POPES

The study on the artistic patronage of Niccolò III Orsini, the synthesis on Roman art and the overview of architectural production in the Rome of the popes prompted him to investigate other Roman topics such as, for example, the palace of the popes (Patriarchio) at the Lateran. This was followed by a larger publishing project, which he coordinated, on the artistic patronage of the popes in Rome in the Middle Ages.

F. SCULPTURE OF THE NORMAN AGE AND CASSINESE SCULPTURE

A particular line of research, prompted by previous studies on the Normans, is the Norman-era sculpture found in the territories of conquest and beyond. This is attested by the International Conference on Norman Age Sculpture between England and the Holy Land. Historiographical issues, He edited the publication of the Proceedings. At the same time, in the wake of these results, he started a systematic survey of medieval sculpture in the abbey of Montecassino.

G.REWORKING THE ANTIQUE

Still on the subject of medieval sculpture, he drew the attention of scholars to the reworking of antiquity in the Middle Ages, i.e. those technical and formal interventions aimed at modifying in some way the original configuration of an ancient artefact not only according to precise practical requirements, but also in relation to the cultural ideological motivations of the time that, together with reuse, imposed the re-culturation of that artefact.

H. GIOTTO

With the first years of the new millennium, his study interests shifted to Giotto, whose symbolic values he sought to focus on with regard to certain iconographic choices expressed at the Scrovegni in Padua - on the wall of the Judgement - in the presentation of the biblical heavens with their respective thematic implications and - in the scene of the Wedding Procession - in the detail of the “maio” depicted on the balcony of Mary's house in Nazareth.

BIBLIOGRAPHY

  1. The cylindrical tower of Caserta Vecchia, in “Napoli nobilissima”, VIII, 1969, pp. 33-35.
  2. The bell tower of the cathedral of Caserta Vecchia and the coastal bell towers of Campania, in “Commentari”, XXI, 1970, pp. 173-184.
  3. Sant'Andrea delle Fratte, Rome 1971.
  4. (with L. Cochetti Pratesi), Two unpublished sculptures in Caserta Vecchia, in “Commentari”, XXIII, 1972, pp. 272-275.
  5. (with C. Strinati), Santa Maria in Aquiro, Rome 1972.
  6. The churches of Dvin, Rome 1973.
  7. Sacred furnishings in the dioceses of Terni Narni and Amelia from the Middle Ages to the present day, Exhibition catalogue (Narni, 10 February-12 March 1974), edited by M. D. Onofrio, Rome 1974.
  8. The Cathedral of Old Caserta, Rome 1974.
  9. The Königshalle in Lorsch near Worms, in Rome and the Carolingian Age, Proceedings of the Study Days (Rome, 3-8 May 1976), edited by the Institute of Art History of the University of Rome, Rome 1976, pp. 129-138.
  10. Mario Fulloni. Profile of an artist, edited by M. D. Onofrio, Rome 1976.
  11. Certains palais de l'Armenie du Ve au VIe siècle après J.C., Proceedings of the Second International Symposium on Armenian Art (Yerevan, 1978), II, Yerevan 1978, pp. 90-110.
  12. Carinola: origins and development of the ancient cathedral church, in “Studia Suessana”, I, 1979, pp. 27-32.
  13. Turris ad mare“ at Garigliano, in “Studia Suessana”, II, 1980, pp. 29-32.
  14. Presentation, in R. Sky, Romanesque Monuments in Sant'Agata dei Goti, Rome 1980, pp. 9-10.
  15. (with V. Pace), Campania, Milan 1981.
  16. (with A.M. Villucci, V. Pace, F. Aceto), The Cathedral of Sessa Aurunca, Sessa Aurunca 1983.
  17. The patronage and patronage of Pope Nicholas III, in Rome year 1300, Atti della IV settimana di studi di storia dell'arte medievale dell'Università di Roma “La Sapienza” (19-24 May 1980), edited by A.M. Romanini, Rome 1983, pp. 553-565.
  18. Rome and Aachen, Naples 1983.
  19. Typology and symbolism of some imperial palaces, in Religious reform and the arts in the Carolingian era, Proceedings of the XXIV International Congress of Art History (Bologna, 10-18 September 1979), edited by A. Schmid, Bologna 1983.
  20. A Medieval Palace in Avan, in Medieval Armenian Culture, Proceedings of the Third Dr. H. Markarian conference on Armenian culture (Philadelphia, 1982), ed. by Th. J. Samuelian and M.E. Stone, University of Pennsylvania 1984, pp. 120-130.
  21. Felice Fatati, in Umbria, traditions, places, characters by Felice Fatati, edited by S. Castellani and G. Fatati, Narni 1985, pp. 5-7.
  22. Presentation, in L. Di Giacomo, Medieval Positano, Salerno 1986, pp. 15-17.
  23. Volume review: O. Lehmann-Brockhaus, Abruzzen und Molise: Kunst und Geschichte, München 1983, in “Kunstchronik”, XIII, 2, 1986, pp. 67-68.
  24. The Norman abbey of San Lorenzo in Aversa, in Robert Guiscard between Europe, the East and the South, Atti del convegno internazionale di studio (Potenza-Melfi-Venosa, 1985), edited by C.D. Fonseca, Galatina 1990, pp. 311-322.
  25. The king's enigma: the “tumba” of San Giovanni in Monte Sant'Angelo on the Gargano, in “Art and Dossier”, 5, 1990, pp. 33-37.
  26. Aversa, at Encyclopaedia of Medieval Art, vol. II, Rome 1991, pp. 759-760.
  27. Benedict of Norcia, in Encyclopaedia of Medieval Art, vol. III, Rome 1993, pp. 365-366.
  28. Campania, at Encyclopaedia of Medieval Art, vol. IV, Rome 1993, pp. 91-101.
  29. Charlemagne, in Encyclopaedia of Medieval Art, vol. IV, Rome 1993, pp. 283-289.
  30. Casertavecchia, in Encyclopaedia of Medieval Art, vol. IV, Rome 1993, pp. 371-373.
  31. Quarry, at Encyclopaedia of Medieval Art, vol. IV, Rome 1993, pp. 565-567.
  32. Capua, in Routes and urban centres in the Norman-Swabian Mezzogiorno, Proceedings of the tenth Norman-Swabian Days (Bari, 1991), edited by the Centre for Norman-Swabian Studies, Bari 1993, pp. 269-291.
  33. The city in the Middle Ages, in Encyclopaedia of the municipalities of Italy. Latium country by country, vol. I, Florence 1993, pp. 101-120.
  34. For a critical itinerary of modern literature on the architecture of Norman Calabria, in “Rivista Storico Calabrese”, XIV, 1993, pp. 171-187.
  35. Clarifications on the Aversa cathedral ambulatory, in “Medieval Art”, VII, 1993, pp. 65-79.
  36. Dvin, in Encyclopaedia of Medieval Art, vol. V, Rome 1994, pp. 759-760.
  37. The Pietro Fedele Museum in the tower of Pandolfo Capodiferro near Minturno, in Pietro Fedele historian and politician, edited by F. Avagliano and L. Cardi, Montecassino 1994, pp. 51-57.
  38. The Normans: people of Europe (1030-1200), exhibition catalogue (Rome, 28 January-30 April 1994), edited by M. D. Onofrio, Venice 1994.
  39. The reasons for the exhibition, at The Normans: people of Europe (1030-1200), exhibition catalogue (Rome, 28 January-30 April 1994), edited by M. D. Onofrio, Venice 1994, pp. 1-3.
  40. The panorama of religious architecture, in The Normans: people of Europe (1030-1200), exhibition catalogue (Rome, 28 January-30 April 1994), edited by M. D. Onofrio, Venice 1994, pp. 199-207.
  41. Volume review: La nécropole de Saint-Martin-de-Fontenay (Calvados). Recherches sur le peuplement de la plaine de Caen du Ve s. avant J.-C. au VIIe s. après J.-C., sous la dir. de C. Pilet, Paris 1994, in “Studi medievali”, XXXV, fasc. II, 1994, pp. 969-971.
  42. Aix-la-Chapelle, in Le Moyen Âge, edited by G. Duby, Paris 1995, pp. 128-132.
  43. The Sancta Sanctorum, in “Ecclesia”, II, 1995, pp. 22-29.
  44. Southern Italy, Normandy and England: for an investigation of historical-artistic relations in the 11th and 12th centuries, in Trésors romans d'Italie du Sud et de Sicilie, catalogue de l'exposition (Caen- Toulouse, 13 mars-5 juin 1995), sous la dir. de G. Coppola, Milan 1995, pp. 61-72.
  45. The Gate of Capua, in Frederick II and Italy. Paths, Places, Signs and Tools, exhibition catalogue (Rome, December 1995-April 1996), edited by C.D. Fonseca, Rome 1995, pp. 230-231.
  46. Preface, in A.M. Villucci, Sessa Aurunca. History and Art, Scauri 1995, pp. 7-8.
  47. From Francis Grimaldi to Rainier III: The Principality of Monaco, 700 years of history (1297-1997), exhibition catalogue (Rome-Paris-Munich 1996), edited by M. D. Onofrio, Rome 1996.
  48. Florence, San Miniato al Monte, in The Dictionary of Art, ed. by J. Turner, XI, New York 1996.
  49. Honorius III, pope, in The Dictionary of Art, ed. by J. Turner, XXIII, New York 1996.
  50. Italy, Architecture, Early Christian and Medieval, in The Dictionary of Art, ed. by J. Turner, vol. XVI, New York 1996.
  51. Lateran (Rome), basilica, in The Dictionary of Art, ed. by J. Turner, vol. XXVI, New York 1996.
  52. Leo III, pope, in The Dictionary of Art, ed. by J. Turner, XIX, New York 1996.
  53. Monte Cassino, architecture, in The Dictionary of Art, ed. by J. Turner, XXII,New York 1996.
  54. Richard I [Richard Quarrel], Prince of Capua, Count of Aversa, Duke of Gaeta, in The Dictionary of Art, ed. by J. Turner, XXVI, New York 1996.
  55. Corrado Ricci, in The Dictionary of Art, ed. by J. Turner, XXVI, New York 1996.
  56. Salmi Mario, in The Dictionary of Art, by J. Turner, vol. XXVII, New York 1996.
  57. Toesca Pietro, in The Dictionary of Art, ed. by J. Turner, vol. XXXI, New York 1996.
  58. Vatican (Rome), architecture, at The Dictionary of Art, ed. by J. Turner, vol. XXXII, New York 1996.
  59. Venturi Adolfo, in The Dictionary of Art, by J. Turner, vol. XXXII, New York 1996.
  60. Santa Maria di Anglona. Structure and architecture of the cathedral. Construction history and stylistic features, in Santa Maria di Anglona, Atti del convegno internazionale di studio (Potenza-Anglona, 1991), edited by C.D. Fonseca and V. Pace, Galatina 1996, pp. 43-52.
  61. (with P. Morel, D. Arasse), L'art italien du IVe siècle à la Renaissance, Paris 1997.
  62. Desiderio's basilica in Montecassino and Alfano's cathedral in Salerno. New insights, in Desiderio di Montecassino and the art of the Gregorian Reform, edited by F. Avagliano, Montecassino 1997, pp. 230-246.
  63. L'abbatiale normande inachevée de Venosa, in L'Architecture normande au Moyen Âge, Actes du colloque (Cerisy-la-Salle, 1994), sous la dir. de M. Baylé, vol. I, Caen 1997, pp. 111-124.
  64. Gaeta Cathedral in the Middle Ages, in “Rivista dell'Istituto Nazionale di Archeologia e Storia dell'Arte”, XIX-XX, 1996-1997, pp. 227-249.
  65. Medieval Pilgrimage and Itinerant Artistic Culture, in Homo viator, Acts of the conference (Chiaravalle di Fiastra, 1996), edited by B. Cleri, Urbino 1997, pp. 175-187.
  66. Concepteurs et maîtres d'oeuvres des grands chantiers du Moyen Âge. Le haut Moyen Âge, in Histoire de l'architecte, sous la dir. de L. Callebat, Paris 1998, pp. 43-48.
  67. Narni Cathedral in the Middle Ages, in San Giovenale. Narni Cathedral in history and art, Atti del convegno di studi (Narni, 1996), edited by C. Perissinotto, Narni 1998, pp. 93-109.
  68. The castle of Frederick II in Gaeta, in Art of the West. Themes and Methods, Studi in onore di Angiola Maria Romanini, vol. I, Rome 1999, pp. 151-158.
  69. The Middle Ages. Architecture in the Rome of the Popes, in Art over the centuries, edited by M. Bussagli, vol. II, Udine 1999, pp. 212-247.
  70. The Constantinian basilica “reliquary” of Peter's remains, in Pilgrims at the Tomb of Peter, edited by G. Morello, Milan 1999, pp. 11-31.
  71. The iconography of Christ at Emmaus and the clothing of the medieval pilgrim, in Santiago, Rome, Jerusalén, Actas del III Congreso Internacional de Estudios Jacobeos (Santiago de Compostela, 1997), dir. por P. Caucci von Saucken, Santiago de Compostela 1999, pp. 63-79.
  72. Romei and jubilees: the medieval pilgrimage to St Peter's (350-1350), exhibition catalogue (Rome, 29 October 1999-26 February 2000), edited by M. D. Onofrio, Milan 1999.
  73. Romei and Jubilees, in “Ecclesia”, XXIV, 1999, pp. 4-21.
  74. Pilgrimage in medieval Campania: itineraries and figurative evidence, in
    The ways of the Middle Ages, Atti del convegno internazionale di studi (Parma, 28 September-1 October 1998) edited by A.C. Quintavalle, Milan 2000, pp. 176-182.
  75. God's wings: messengers and winged warriors between East and West, exhibition catalogue (Bari, 6 May-31 August 2000; Caen, 20 September-31 December 2000), edited by M. Bussagli and M. D'Onofrio, Cinisello Balsamo 2000.
  76. The Iconography of the Angel in Medieval Art, in God's wings: messengers and winged warriors between East and West, exhibition catalogue (Bari, 6 May-31 August 2000; Caen, 20 September-31 December 2000), edited by M. Bussagli and M. D'Onofrio, Cinisello Balsamo 2000, pp. 79-82.
  77. Illustrated history of Formia. Medieval Formia, edited by M. D. Onofrio, A. Di Biasio, L. Gatto, Pratola Serra (Av) 2000.
  78. Norman Age Sculpture between England and the Holy Land. Historiographical issues, Atti del congresso internazionale di studi storico-artistici (Ariano Irpino, 17-18 October 1998), edited by M. D'Onofrio, Rome 2001.
  79. Introduction, in Norman Age Sculpture between England and the Holy Land. Historiographical issues, Atti del congresso internazionale di studi storico-artistici (Ariano Irpino, 17-18 October 1998), edited by M. D'Onofrio, Rome 2001, pp. VII-XV.
  80. Basilicata, in Norman Age Sculpture between England and the Holy Land. Historiographical issues, Atti del congresso internazionale di studi storico-artistici (Ariano Irpino, 17-18 October 1998), edited by M. D'Onofrio, Rome 2001, pp. 139-167.
  81. Unpublished and little-known aspects of the Lateran Patriarchate, at Middle Ages: the models, Atti del convegno internazionale di studi (Parma, 27 September-1 October 1999), edited by A.C. Quintavalle, Milan 2002, pp. 221-236.
  82. Castra, palatia, domusA review of studies on Frederick's architecture, in “Rivista dell'Istituto Nazionale d'Archeologia e Storia dell'Arte”, XXVI, 2003, pp. 127-147.
  83. The “Chronicon” of Leo Ostiense and the Predesiderian church of St Benedict at Monte Cassino, in Middle Ages: image and story, Atti del convegno internazionale di studi (Parma, 26-29 September 2000), edited by A.C. Quintavalle, Milan 2003, pp. 162-169.
  84. The restoration of the Church of Saints Bartholomew and Augustine in Ripi, in G. Gabrielli, The Church of Saints Bartholomew and Augustine in the historical adventure of Ripi, s.l. 2003, pp. 61-64.
  85. Reworking Antiquity in the Middle Ages, edited by M. D. Onofrio, Rome 2003.
  86. Introduction, in Reworking Antiquity in the Middle Ages, edited by M. D. Onofrio, Rome 2003, pp. 7-13.
  87. Gaeta Cathedral in the Middle Ages, in Pius IX in Gaeta (25 November 1848-4 September 1849), Atti del convegno di studi per i 150 anni dell'avvenimento e dell'elevazione della diocesi di Gaeta (Gaeta, 1999), edited by L. Cardi, Scauri 2003, pp. 239-262.
  88. Las vidrieras en Italia en el Medievo, in Vidrieras medievales en Europa, dir. por X. Barral i Altet, Barcelona-Madrid 2003, pp. 211-216.
  89. Ripi: the restoration of the Church of Saints Bartholomew and Augustine, in “Lazio yesterday and today”, XXXIX, 2003, pp. 240-241.
  90. “Artifices lambardi” in medieval Campania, in Middle Ages: Lombard art, Atti del convegno internazionale di studi (Parma, 26-29 September 2001), edited by A.C. Quintavalle, Milan 2004, pp. 526-535.
  91. Aspects communs dans l'art italien et anglo-normand aux XIe et XIIe siècles, in Les Normand en Mediterranée, in “Dossier d'Archéologie”, CCXXIX, 2004-2005, pp. 112-123.
  92. Editorial, in “RolSa-Rivista on line di Storia dell'Arte”, I, 2004, pp. 1-4.
  93. The Hidden Patriarch, in “Mélanges de l'École française de Rome-Antiquité”, CXVI, 2004, pp. 141-160.
  94. Introduction, in F. Gandolfo, The commission portrait in mediaeval Rome, Rome 2004, pp. 7-10.
  95. Spring and nobility: the figure of May in the Middle Ages, Rome 2005.
  96. The artistic landscape between the 11th and 14th centuries: architecture and sculpture, in History of Basilicata. The Middle Ages, edited by C.D. Fonseca, Bari 2006, pp. 608-647.
  97. Presentation, in F. Gangemi, Santa Maria di Ponte. Study on a medieval parish church in the Valnerina, Spoleto 2006, pp. IX-XI.
  98. The “Palatium Caruli” at the Vatican: structure and symbolism, in Middle Ages: the Church and the Palace, Atti del convegno internazionale di studi (Parma, 20-24 September 2005), edited by A.C. Quintavalle, Milan 2007, pp. 156-165.
  99. Adolfo Venturi and art history today, Proceedings of the international study conference (Rome, 25-28 October 2006), edited by M. D. Onofrio, Modena 2008.
  100. The reasons for the conference, Atti del convegno internazionale di studi (Roma, 25-28 October 2006), edited by M. D. Onofrio, Modena 2008, pp. 15-22.
  101. An embossed silver sheet and the Gospel Book of Santa Maria in Via Lata, in “Miscellanea Bibliothecae Apostolicae Vaticanae”, XV, 2008, pp. 231-251.
  102. Foreword, in Rex Theodericus. The Golden Medallion of Morro d'Alba, edited by C. Barsanti, A. Paribeni and S. Pedone, Rome 2008, pp. IX-X.
  103. Presentation, in L. Catalano, Medieval sculptural production in the abbey of San Vincenzo al Volturno, Naples 2008, pp. 7-8.
  104. Émile Bertaux et les monuments franco-normands de l'Italie méridionale, at 1907 el paper del l'IEC en la història de l'art i en la restauració de monument medievals a Catalunya i Europa: commemoració del centari de l'Institut d'Estudis Catalans, Proceedings of the international conference (Barcelona, 3-24 March 2007), por M. Díez y G. Sabatés de Hita, Barcelona 2009, pp. 143-162.
  105. The medieval restoration of the basilica: some observations, in The ancient basilica of San Lorenzo in Damaso. Archaeological investigations in the Palazzo della Cancelleria (1988-1993). Excavations, edited by Ch. L. Frommel and M. Pentiricci, vol. I, Rome 2009, pp. 387-390.
  106. Giotto and the Wedding Procession at the Scrovegni, in “History of Art”, CXXII -CXXIII (n.s. 22/23), 2009, pp. 5-32.
  107. Giotto's skies at the Scrovegni between image and memory, at Middle Ages: Images and Memory, Atti del convegno internazionale di studi (Parma, 23-28 September 2009), edited by A.C. Quintavalle, Milan 2009, pp. 519-531.
  108. Preface, in C. Costantini, The iconography of the medieval knight, Todi 2009, pp. 7-9.
  109. At the banquet of the king gestures between narrative and courtesy, in Forms and History. Writings on medieval and modern art for Francesco Gandolfo, edited by W. Angelelli and F. Pomarici, Rome 2010, pp. 421-432.
  110. Symbols, rituals and figurative evidence of Christian pilgrimage in medieval Europe, in The pilgrim's saddlebag, edited by A. Barbero, S. Piano, Ponzano Monferrato 2010, pp. 257-269.
  111. The artistic patronage of the popes in Rome in the Middle Ages: study perspectives and points for reflection, at Middle Ages: the patrons, Atti del convegno internazionale di studi (Parma, 21-26 November 2010), edited by A.C. Quintavalle, Milan 2011, pp. 388-398.
  112. The Tower of St Benedict at Monte Cassino, in Marmoribus vestita. Miscellany in honour of Federico Guidobaldi, edited by O. Brandt and P. Pergola, Vatican City 2011, pp. 469-509.
  113. The medieval artist in the romantic imagination, at Le plaisir de l'art du Moyen Âge. Mélanges en hommage à Xavier Barral i Altet, Paris 2012, pp. 1029-1039.
  114. The image of Blessed Charles of Blois in the Caetani Palace in Fondi, in The workshop of the gaze. Studies in Honour of Maria Andaloro, edited by G. Bordi, I. Carlettini, M.L. Fobelli, M.R. Menna, P. Pogliani, vol. I, Rome 2014, pp. 419-432.
  115. The artistic patronage of the popes in Rome in the Middle Ages, Rome 2016.
  116. For a profile of the artistic patronage of the popes in Rome in the Middle Ages, in The artistic patronage of the Popes in Rome in the Middle Ages, edited by M. D. Onofrio, Rome 2016, pp. 7-49.
  117. Leo III (795-816), in The artistic patronage of the popes in Rome in the Middle Ages, edited by M. D. Onofrio, Rome 2016, pp. 213-218.
  118. Funds in the Middle Ages, Proceedings of the international study conference (Fondi, 17-18 October 2013), edited by M. Gianandrea and M. D'Onofrio, Rome 2016, pp. 255-284.
  119. (with M. Gianandrea), Introduction, in Funds in the Middle Ages, Proceedings of the international study conference (Fondi, 17-18 October 2013), edited by M. Gianandrea and M. D'Onofrio, Rome 2016, pp. 255-284, pp. 11-12.
  120. The murals of the camera picta in the Caetani Palace in Fondi, in Funds in the Middle Ages, Proceedings of the international study conference (Fondi, 17-18 October 2013), edited by M. Gianandrea and M. D'Onofrio, Rome 2016, pp. 255-284.
  121. Medieval Gaeta and its Cathedral, Proceedings of the international study conference (Gaeta, 11-13 March 2016), edited by M. D'Onofrio and M. Gianandrea, Rome 2018.
  122. (with M. Gianandrea), Introduction, in Medieval Gaeta and its Cathedral, Proceedings of the international study conference (Gaeta, 11-13 March 2016), edited by M. D'Onofrio and M. Gianandrea, Rome 2018, pp. 17-20.
  123. A “talking” eagle in the bell tower of Gaeta Cathedral, magister Nicolangelo and the seven-nave cathedral, in Medieval Gaeta and its Cathedral, Proceedings of the international study conference (Gaeta, 11-13 March 2016), edited by M. D'Onofrio and M. Gianandrea, Rome 2018, pp. 281-300.
  124. The church of San Martino in Montecassino: an open question?, in “Of Byzantium you will say what is past, what passes and what will be”. Writings in honour of Alessandra Guiglia, edited by S. Pedone and A. Paribeni, Rome 2018, pp. 609-624.
  125. In homage to Carbonara: between Late Antiquity and the Middle Ages, in “Quaderni dell'Istituto di Storia dell'Architettura”, special issue, 2019, pp. 321-324.
  126. Presentation, in E. Chinappi, Angevin-era wall painting in the Terra di Lavoro: the 14th century from Aversa to Minturno, Rome 2020, pp. 7-8.
  127. In Tremensuoli di Minturno, Minturno 2022.
  128. An unpublished church in Tremensuoli di Minturno, in Rezeptionsgeschichte(n) von der Antike bis in die Moderne, hrsg. von P. Bell, A. Fehrmann, R. Müller und D. Olariu, Wien 2022, pp. 99-107.
  129. Presentation, in E. Tosti, The Church of Santo Stefano Vecchio in Fiano Romano, Rome 2023, pp. 11-12.

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